The reality of a "sixth sense"
has been fairly well established. This sixth sense is "Creative
Imagination." The faculty of creative imagination is one which the
majority of people never use during an entire lifetime, or if used at all, it
usually happens by mere accident. A relatively very small number of people use,
with deliberation and purpose aforethought, the faculty of creative
imagination.
GENII
Those who use "sixth sense or
"Creative Imagination" faculty voluntarily, and with understanding of
its functions, are GENII.
Creative Imagination is cause of all
Discoveries
The faculty of creative imagination is
the directly link between the finite mind of man and Infinite Intelligence. All
so-called revelations, referred to in the realm of religion, and all
discoveries of basic or new principles in the field of invention, take place
through the faculty of creative imagination. When ideas or concepts flash into
one's mind, through what is popularly called a "hunch," they come
from one or more of the following sources:-
1. Infinite
Intelligence.
2.
One's subconscious mind, wherein is stored every sense impression and thought
impulse which ever reached the brain through any of the five senses.
3. From
the mind of some other person who has just released the thought, or picture of
the idea or concept, through conscious thought.
4. From
the other person's subconscious storehouse.
There are no other known sources from
which "inspired" ideas or "hunches" may be received.
When the creative imagination functions
best?
The creative imagination functions best
when the mind is vibrating (due to some form of mind stimulation) at an
exceedingly high rate. That is, when the mind is functioning at a rate of
vibration higher than that of ordinary, normal thought.
How Creative Imagination Works?
When brain action has been stimulated, by
one or more of the ten mind stimulants. It has the effect of lifting the
individual far above the horizon of ordinary thoughts which permits him to
envision distance, scope, and quality of thoughts not available on the lower
plane.
When lifted to this higher level of
thought, through any form of mind stimulation, an individual occupies,
relatively, the same position as one who has ascended in an airplane to a
height from which he may see over and beyond the horizon line which limits his
vision, while on the ground. Moreover, while on this higher level of thought,
the individual is free from all types of stimuli (such as the three basic
necessities of life i.e food, clothing, and shelter) which circumscribe and
limit his vision.
While on this exalted plane of thought,
the creative faculty of the mind is given freedom for action because daily work
thoughts have been as effectively removed as are the hills and valleys and
other limitations of physical vision. During this state of mind, the way has
been cleared for the sixth sense to function, it becomes receptive to ideas
which could not reach the individual’s mind under any other circumstances. This
"sixth sense" is the faculty which marks the difference between a
genius and an ordinary individual.
The creative faculty becomes more alert
and receptive to vibrations, originating outside the individual's subconscious
mind, the more this faculty is used, and the more the individual relies upon
it, and makes demands upon it for thought impulses. This faculty can be
cultivated and developed only through use.
That which is known as one’s conscience
operates entirely through the faculty of the sixth sense.
Creative imagination and Historical
Personalities
The great artists, writers, musicians,
and poets become great, because they acquire the habit of relying upon the
"still small voice" which speaks from within, through the faculty of
creative imagination. It is a fact well known to people who have
"keen" imaginations that their best ideas come through so-called
"hunches."
There is a great orator who does not
attain to greatness, until he closes his eyes and begins to rely entirely upon
the faculty of Creative Imagination. When asked why he closed his eyes just
before the climaxes of his oratory, he replied, "I do it, because, then I
speak through ideas which come to me from within."
One of America's most successful and best
known financiers followed the habit of closing his eyes for two or three minutes
before making a decision.
When asked why he did this, he replied,
"With my eyes closed, I am able to draw upon a source of superior intelligence."
How Dr. Elmer R. Gates created more than
200 Patents?
The late Dr. Elmer R. Gates, of Chevy
Chase, Maryland, created more than 200 useful and basic patents, through the
process of cultivating and using the creative faculty. His method is both significant
and interesting to one interested in attaining to the status of genius, in
which category Dr. Gates, unquestionably belonged. Dr. Gates was one of the
really great, though less publicized scientists of the world.
In his laboratory, he had what he called
his "personal communication room." It was practically sound proof,
and so arranged that all light could be shut out. It was equipped with a small
table, on which he kept a pad of writing paper. In front of the table, on the
wall, was an electric pushbutton, which controlled the lights. When Dr. Gates wants
to draw upon the forces available to him through his Creative Imagination. He
would go into this room, seat himself at the table, shut off the lights, and concentrate
upon the known factors of the invention on which he was working. He remains in
that position until ideas began to "flash" into his mind in
connection with the unknown factors of the invention.
On one occasion, ideas came through so
fast that he was forced to write for almost three hours. When the thoughts
stopped flowing, and he examined his notes, he found they contained a minute
description of principles which bad not a parallel among the known data of the
scientific world.
Moreover, the answer to his problem was
intelligently presented in those notes. In this manner Dr. Gates completed over
200 patents, which had been begun, but not completed, by "half-baked"
brains. Evidence of the truth of this statement is in the United States Patent
Office.
Dr. Gates earned his living by "sitting
for ideas" for individuals and corporations. Some of the largest
corporations in America paid him substantial fees, by the hour, for
"sitting for ideas."
Creative Imagination can beat the Experience
The reasoning faculty is often faulty,
because it is largely guided by one's accumulated experience. Not all
knowledge, which one accumulates through "experience," is accurate.
Ideas received through the creative faculty are much more reliable, for the
reason that they come from sources more reliable than any which are available
to the reasoning faculty of the mind.
Difference between the Genius and the
ordinary "Crank" inventor
The major difference between the genius
and the ordinary "crank" inventor, may be found in the fact that the
genius works through his faculty of creative imagination, while the
"crank" knows nothing of this faculty. The scientific inventor (such
as Mr. Edison, and Dr. Gates), makes use of both the synthetic and the creative
faculties of imagination.
Method to use Creative Imagination
For example, the scientific inventor, or
"genius, begins an invention by organizing and combining the known ideas,
or principles accumulated through experience, through the synthetic faculty
(the reasoning faculty). If he finds this accumulated knowledge to be
insufficient for the completion of his invention, he then draws upon the
sources of knowledge available to him through his creative faculty. The method
by which he does this varies with the individual, but this is the sum and
substance of his procedure:
1. He
stimulates his mind so that it vibrates on a higher than-average plane, using
one or more of the ten mind stimulants or some other stimulant of his choice.
2. He
concentrates upon the known factors (the finished part) of his invention, and
creates in his mind a perfect picture of unknown factors (the unfinished part),
of his invention. He holds this picture in mind until it has been taken over by
the subconscious mind, then relaxes by clearing his mind of all thought, and
waits for his answer to "flash" into his mind.
Sometimes the results are both definite
and immediate. At other times, the results are negative, depending upon the
state of development of the "sixth sense," or creative faculty.
Mr. Edison and Creative Imagination
Mr. Edison tried out more than 10,000
different combinations of ideas through the synthetic faculty of his
imagination before he "tuned in" through the creative faculty, and
got the answer which perfected the incandescent light. His experience was
similar when he produced the talking machine.
Evidence of Creative Imagination
There is plenty of reliable evidence that
the faculty of creative imagination exists. This evidence is available through
accurate analysis of men who have become leaders in their respective callings,
without having had extensive educations. Lincoln was a notable example of a
great leader who achieved greatness, through the discovery, and use of his
faculty of creative imagination. He discovered, and began to use this faculty
as the result of the stimulation of love which he experienced after he met Anne
Rutledge, a statement of the highest significance, in connection with the study
of the source of genius.
Woman is the major stimuli of Creative
Imagination
The pages of history are filled with the
records of great leaders whose achievements may be traced directly to the
influence of women who aroused the creative faculties of their minds, through
the stimulation of sex desire. Napoleon Bonaparte was one of these. When
inspired by his first wife, Josephine, he was irresistible and invincible. When
his "better judgment" or reasoning faculty prompted him to put
Josephine aside, he began to decline. His defeat and St. Helena were not far
distant.
We might easily mention scores of men,
who climbed to great heights of achievement under the stimulating influence of
their wives, only to drop back to destruction after money and power went to
their heads, and they put aside the old wife for a new one. Napoleon was not the
only man to discover that women influence, from the right source, is more
powerful than any substitute of expediency, which may be created by mere
reason.
Urge of Sex is Most Powerful Stimuli of Creative
Imagination
The human mind responds to stimulation!
Among the greatest, and most powerful of
these stimuli is the urge of sex. When harnessed and transmuted, this driving
force is capable of lifting men into that higher sphere of thought which
enables them to master the sources of worry and petty annoyance which beset their
pathway on the lower plane.
For the purpose of refreshing the memory,
in connection with the facts available from the biographies of certain men, we
here present the names of a few men of outstanding achievement, each of whom
was known to have been of a highly sexed nature. The genius which was their's,
undoubtedly found its source of power in transmuted sex energy:
George Washington
Napoleon Bonaparte
William Shakespeare
Abraham Lincoln
Ralph Waldo Emerson
Robert Burns
Thomas Jefferson
Elbert Hubbard
Elbert H. Gary
Oscar Wilde
Woodrow Wilson
John H. Patterson
Andrew Jackson
Enrico Caruso
Your own knowledge of biography will
enable you to add to this list. Find, if you can, a single man, in all history
of civilization, who achieved outstanding success in any calling, who was not
driven by a well-developed sex nature.
If you do not wish to rely upon
biographies of men not now living, take inventory of those whom you know to be
men of great achievement, and see if you can find one among them who is not
highly sexed.
Sex energy is the creative energy of all
genii. There never has been, and never will be a great leader, builder, or
artist lacking in this driving force of sex.
Status of A Genius or Status of the Lower
Animals
Surely no one will misunderstand these
statements to mean that all who are highly sexed are genii! Man attains to the
status of a genius only when, and if, he stimulates his mind so that it draws
upon the forces available, through the creative faculty of the imagination.
Chief among the stimuli with which this "stepping up" of the
vibrations may be produced is sex energy. The mere possession of this energy is
not sufficient to produce a genius. The energy must be transmuted from desire
for physical contact, into some other form of desire and action, before it will
lift one to the status of a genius.
Far from becoming genii, because of great sex desires, the majority of men lower themselves, through misunderstanding and misuse of this great force, to the status of the lower animals.